Brutal beatings of African-Americans were frequent. This print mocks Reconstruction by making several allusions to Shakespeare. (1866) In order to understand the cartoon, students should know: Andrew Johnson was not popular during reconstruction because he was considered too lenient against former confederates. Zoom In Andrew Johnson's Reconstruction, And How It Works. A political cartoon by Thomas Nast published in the September 1, 1866, edition of Harper's Weekly lampoons President Andrew Johnson. Comment On Reconstruction, Depicting Columbia With A Newborn Baby, The 14th Amendment, Waiting For President Andrew Johnson To Repair A Leaking Kettle, The Reconstructed South. The cartoon below was created in 1866: Based on this cartoon, which of the following conclusions can be drawn about Andrew Johnson's approach to Reconstruction? 1866 cartoon showing Andrew Johnson as the deceitful Iago who betrayed Othello, portrayed here as an African-American Civil War veteran. By 1866, 7,000 Presidential pardons had been granted. Stevens replies, "Well, it ain't me that's going to do it- you bet!" Cartoon From Frank Leslie's Illustrated Newspaper, 16 June 1866. President Andrew Johnson, seen in this Harper’s Weekly political cartoon of April 14, 1866, vetoed two Freedmen’s Bureau bills that year, the second of which was overrode by Congress in July. Image and text provided by HarpWeek. One of Us has got to back." https://www.andrewjohnson.com/ListOfCartoons/ReconAndHowItWorks.htm Johnson's vision of Reconstruction had proved remarkably lenient. On September 29, 1866, Harper's Weekly featured a cartoon about Reconstruction. President Johnson also used his veto power to stop several bills including one that would restrict former confederate states with “black codes” from Andrew Johnson, Civil Rights Bill Veto Message, March 27, 1866; George William Curtis, "The Civil Rights Bill," Harper's Weekly Magazine, April 14, 1866, pp. He supported lenient treatment of the South and its people in rebuilding the region. From Granger - Historical Picture Archive. The Tearful Convention Artist: Thomas Nast Both Johnson and Stevens are portrayed as railroad engineers of trains on the same track. This cartoon portrayed him as Shakespeare’s Iago, who betrayed the black general Othello. The … Johnson and Reconstruction cartoon, 1866. Johnson says, "Look Here! Andrew Johnson’s Reconstruction and How It Works, engraving by Thomas Nast, September 1, 1866 He vetoed two acts of Congress that aided freedmen and protected their civil rights. This cartoon summarizes the 1866 election as a showdown between Thaddeus Stevens (right) and Andrew Johnson (left). In Washington, President Johnson vetoes the Freedmen's Bureau Bill; In Washington, the Senate fails to over-ride President Johnson's veto of the Freedmen's Bureau Bill; Reconstruction 'Mending The Family Kettle.' Click on the image to open a larger version of the cartoon or read the caption and explanation. Thomas Nast, “Reconstruction and How It Works,” Harper’s Weekly, 1866, via HarpWeek. Still-powerful whites sought to subjugate freed slaves via harsh laws that came to be known as the Black Codes. Public domain image. The center illustration shows a Black soldier as Othello and President Andrew Johnson as Iago. On February 19, 1866, and July 16, 1866, Johnson vetoed bills to extend the Freedmen's Bureau, which had been established to safeguard the rights of the newly freed slaves. 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